[55] Leonard Barkan in contrast the posture of Michelangelo's marginalia self-portrait towards the Roman sculptures of Marsyas Sure during the Uffizi Gallery; Barkan further more connects the flayed Marsyas with Michelangelo's purported self-portrait a long time afterward the flayed skin of St Bartholomew in his Last Judgment but cautions that https://michaely964szf9.wikiworldstock.com/user